Alan Marshall Bella Edwards Bob Howourth Brian Davis Brenda Cook Carol Chilcott Claude Rimmer David Conn David Glover-Kirk David Parry-Jones David Scott David Talbot faustus group Jack Mundy Jacky Long Joan Clews Joan Goodyear John Vowles Kathy Stewart Kevin Hogan Lizzie Lane Lyn Martin Mary Lansdown Nicholas Selway Peter Sutton Richard Edwards Robert Chapman Robert Tooze Royston Tanner Sarah McGreevy Stephen Canaby This River Winding Tina Kelly Tom Hodson georgeT
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Adaptation: text to screen > summary table > learn more

Summary - differences between literary and screen texts:

Literary text Moving image text
Audience: a private experience Shared/collective experience
Audience: read in phases – reader in control Watched in entirety (usually) action presses on – no pause to recap
Producer: usually written by one person      Collaborative experience
Text: words on a page enable imagination to create the scene Scene is viewed on a screen – audience has sense of being inside an event
Text and audience: reading generally takes several sittings Can be seen in a single sitting- generally approx 90-150 minutes to show the film
Text: words on the page provide information detail by detail, in the order selected by the author. The complexity of a moving image with sound, images, colour, lighting and dialogue working together can give much detailed information all at once
Settings/background described with words Settings shown through images
Character described using words; through dialogue; through their interactions with others Character shown through dialogue; voice, movement, gesture, dress, make-up, props, behaviour and background in which they are placed
Thoughts shown through interior monologue State of mind shown through using visual signs
Tenses available: past, present, future Happens in the present – although can use flashback and flash forward to convey different timescales
Point of view shown through: first person, omniscient narrator, third person, interior monologue, stream of consciousness Camera presents the point of view and passes it onto the spectator; p.o.v. of camera can change many times
Text generally exists first Film adaptation:- Additions - characters, events, settings; Omissions - characters, events, settings

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