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4.1 Bibliography for The Gaze 4.2 Bibliography for Image & Text 4.3 Links
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Argyle, Michael and Cook, Mark, 1976, GAZE AND MUTUAL GAZE, Cambridge University Press, UK.

Attie, David, 1977, RUSSIAN SELF PORTRAITS, Thames and Hudson, New York, USA.

Bryson, Norman, ed. 1991, SEMIOLOGY AND VISUAL INTERPRETATION IN VISUAL THEORY, Polity Press, Cambridge, UK.

Bryson, Norman, 1982, THE GAZE AND THE GLANCE in Vision and Painting: The Logic of the Gaze. New Have, Yale University Press, 1983. pp.88-131.

Dixon, Wheeler Winston, 1995, IT LOOKS AT YOU; THE RETURNED GAZE OF THE CINEMA, State of University of New York Press, USA.

Foster, Hal, 1996, OBSCENE, ABJECT, TRAUMATIC, THE AESTHETIC OF ABJECTION AND TRAUMA IN AMERICAN ART IN THE 1990'S, October, no.78, Fall 1996, pp.106-124 (pp.110-111).

Garret, John, ed, 1981, HOW TO PHOTOGRAPH PEOPLE, Collins.

Hoberman, J. 2001, NObody’S LAND; INSIDE OUTER AND INNER SPACE, ICA, London, UK.

Jay, Martin, 1988, SCOPIC REGIMES OF MODERNITY in Foster, H, Vision and Visuality. Bay View Press, Seattle, USA.

Leongard, John, commentary by, 1991, FACES, Random House, New York, USA.

Taylor, Jon, 1994, A DREAM OF ENGLAND, LANDSCAPE, PHOTOGRAPHY, AND THE TOURISTS’ IMAGINATION, Manchester University Press, UK.

Warhol, Andy, 1965, SCREEN TESTS, New York, USA.

© John Frederick Anderson

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